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15 Films to See This Week: Ozon, Bellocchio, Rafelson + More
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“Late Spring is very personal for me, very close to that relationship between my mother and my grandfather. I took my mother once to an Ozu retrospective to see Late Spring, and she thought it was beautiful—she said ‘I didn’t know you could make a film with such a simple story.’ So I made up my mind. I wanted to make that film for her.”
On Her Birthday, Watch Claire Denis + Wim Wenders Talk Yasujirô Ozu
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See Marion Cotillard and Joaquin Phoenix in the Trailer for James Gray’s ‘The Immigrant’
See Marion Cotillard and Joaquin Phoenix in the Trailer for James Gray’s ‘The Immigrant’
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Looking back, needless to say it was very, very intense, but I feel very fortunate to have survived it and very fortunate that I was hard-wired in a certain way that allowed me gravitate towards something like cinema. Had I not had an interest in cinema, or anything remotely artistic, I have no idea how I would have processed half of it, to be honest. So the whole thing is, once you step away from that, you go into the real world. You’re forced to deal with people, and you realize that the way people are communicating is fundamentally different than the way you’ve been communicating in your close-knit family. You either have enough insight to reprogram yourself from it in some way shape or form—the difference between this is the way the world is and this is not the way the world was inside house that you grew up in. So there was definitely a transitional thing that I had to go through for a very long time until I understood things better and had more persecutive on how the world functions.
TARNATION: 20 Years in the Making, 10 Years Puncturing Our Hearts
Looking back, needless to say it was very, very intense, but I feel very fortunate to have survived it and very fortunate that I was hard-wired in a certain way that allowed me gravitate towards something like cinema. Had I not had an interest in cinema, or anything remotely artistic, I have no idea how I would have processed half of it, to be honest. So the whole thing is, once you step away from that, you go into the real world. You’re forced to deal with people, and you realize that the way people are communicating is fundamentally different than the way you’ve been communicating in your close-knit family. You either have enough insight to reprogram yourself from it in some way shape or form—the difference between this is the way the world is and this is not the way the world was inside house that you grew up in. So there was definitely a transitional thing that I had to go through for a very long time until I understood things better and had more persecutive on how the world functions.
TARNATION: 20 Years in the Making, 10 Years Puncturing Our Hearts
Looking back, needless to say it was very, very intense, but I feel very fortunate to have survived it and very fortunate that I was hard-wired in a certain way that allowed me gravitate towards something like cinema. Had I not had an interest in cinema, or anything remotely artistic, I have no idea how I would have processed half of it, to be honest. So the whole thing is, once you step away from that, you go into the real world. You’re forced to deal with people, and you realize that the way people are communicating is fundamentally different than the way you’ve been communicating in your close-knit family. You either have enough insight to reprogram yourself from it in some way shape or form—the difference between this is the way the world is and this is not the way the world was inside house that you grew up in. So there was definitely a transitional thing that I had to go through for a very long time until I understood things better and had more persecutive on how the world functions.
TARNATION: 20 Years in the Making, 10 Years Puncturing Our Hearts
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28 Films to See This Weekend: Godard, Bellocchio, Ferrara, Akerman + More
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 Making music or any other kind of art has to be one of the best parts about being a human.
MARK T. SMITH AND MATTHEW COOPER TALK ‘INVENTIONS’ 
 Making music or any other kind of art has to be one of the best parts about being a human.
MARK T. SMITH AND MATTHEW COOPER TALK ‘INVENTIONS’ 
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Watch Vincent Gallo x Roger Ebert on the Howard Stern Show in 2004
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The Best Films to Watch Without Leaving Your Bed: French Favorites (Part II) 
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Agnès Varda Talks Media and Contemporary Life + Her Early Films in an Interview From the 1960s
Agnès Varda Talks Media and Contemporary Life + Her Early Films in an Interview From the 1960s
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Ten Non-Fiction Films From Your Favorite Filmmakers 
Ten Non-Fiction Films From Your Favorite Filmmakers 
Ten Non-Fiction Films From Your Favorite Filmmakers 
Ten Non-Fiction Films From Your Favorite Filmmakers