• Coulson has said that years before her appearance as The Log Lady in Twin Peaks, you predicted she would appear in a television series one day with a log. Was that a joke?
No. I had this idea during Eraserhead that I described to her and Jack and whoever would listen. [Laughs] And it was called I’ll Test My Log with Every Branch of Knowledge! It’s a half-hour television show starring Catherine as the lady with the log. Her husband has been killed in a forest fire and his ashes are on the mantlepiece, with his pipes and his sock hat. He was a woodsman. But the fireplace is completely boarded up. Because she is now afraid of fire. And she has a small child, but she doesn’t drive, so she takes cabs. And each show would start with her making a phone call to some expert in one of the many, many fields of knowledge. Maybe on this particular day she calls a dentist, but she makes the appointment for her log. And the log goes in the dental chair and gets a little bib and chain and the dentist X-rays the log for cavities, goes through the whole thing, and the son is also there. Because she is teaching her son through his observations of what the log is going through. Then sometimes they go to a diner and they never get to where they’re going. That was the idea. You’d learn something each week, see? For real! In an absurd sort of world.

    Coulson has said that years before her appearance as The Log Lady in Twin Peaks, you predicted she would appear in a television series one day with a log. Was that a joke?

    No. I had this idea during Eraserhead that I described to her and Jack and whoever would listen. [Laughs] And it was called I’ll Test My Log with Every Branch of Knowledge! It’s a half-hour television show starring Catherine as the lady with the log. Her husband has been killed in a forest fire and his ashes are on the mantlepiece, with his pipes and his sock hat. He was a woodsman. But the fireplace is completely boarded up. Because she is now afraid of fire. And she has a small child, but she doesn’t drive, so she takes cabs. And each show would start with her making a phone call to some expert in one of the many, many fields of knowledge. Maybe on this particular day she calls a dentist, but she makes the appointment for her log. And the log goes in the dental chair and gets a little bib and chain and the dentist X-rays the log for cavities, goes through the whole thing, and the son is also there. Because she is teaching her son through his observations of what the log is going through. Then sometimes they go to a diner and they never get to where they’re going. That was the idea. You’d learn something each week, see? For real! In an absurd sort of world.

  • What was Wild at Heart about David?

    Well, it’s about one hour and forty-five minutes.

  • So there is life after death? Lynch: Aaah, I think so. I think it’s a continuum. So what’s it like? Lynch: Laughter  Not a room with red curtains and people talking backwards, then? Lynch: That would be kinda beautiful to me.

    So there is life after death?
    Lynch: Aaah, I think so. I think it’s a continuum.
    So what’s it like?
    Lynch: Laughter
    Not a room with red curtains and people talking backwards, then?
    Lynch: That would be kinda beautiful to me.

  • I’d have coffee, sometimes six cups, along with the shake, and I’d have sugar in my coffee. By then I would be pretty jazzed up, and I’d start writing down ideas.

    (Source: nicocolaleo)

  • If you are truly wild at heart, you will fight for your dreams

    If you are truly wild at heart, you will fight for your dreams

  • I am pretty much obsessed with coffee. I’ve been drinking coffee on a regular basis since I was in the ninth grade. In the ninth grade, I met my soon-to-be good friend, Toby, on the front yard lawn of my girlfriend’s house. And during that first conversation with Toby, he happened to tell me that his father was a painter, a fine art painter. Hearing this news that an adult could be a painter — an explosion went off in my head and from that moment on all I wanted to do was paint. And for me, the world of a painter held much coffee.

    Coffee became tied to what I called “The Art Life.” I loved to go to diners and drink coffee and try to catch ideas for the work. Coffee has always seemed to facilitate thinking and catching ideas. Not only that, but the flavor of coffee is beyond the beyond good.

    Even bad coffee is better than no coffee at all.

    For a long time, outside of diners, I drank a lot of instant coffee and I would drink it from styrofoam cups. For many years, I drank probably 20 cups of instant coffee per day. One of the things I discovered from drinking coffee in a styrofoam cup was a kind of fantastic visual trick. If you have a full styrofoam cup of coffee and you move the cup slowly on a certain type of surface, a vibration will come forth and ripples will appear on the surface of the coffee. And if you push the cup a little bit faster as it’s vibrating, individual droplets will leap out of the ripples and dance all along the surface of the coffee. I always wanted to film this effect, but I never have. And nowadays, the environmentalists tell us that styrofoam cups aren’t so good, so I haven’t had an opportunity to see this trick filmed.

    Coffee and coffee drinkers have appeared in a couple of my films, I guess most notably Twin Peaks and Mulholland Dr.

    Obsessed: Coffee by David Lynch

  • 92YTribeca in New York City is one of the first venues in the world to celebrate the 20th anniversary of Twin Peaks: Fire Walk With Me, with a screening of the movie’s 35mm version on February 24th ─not coincidentally the day of Laura Palmer’s death─ and the 25th. The 1992 movie will be introduced by film critics Daniel Kasman (“Lately I’ve been thinking this is the best movie of the 1990s.“) and Keith Uhlich (“A dream come true,” on his upcoming task as co-introducer of the David Lynch masterpiece).

    (Source: welcometotwinpeaks.com, via conceptalbum)

  • Jeffrey Beaumont: You’re a neat girl.  Sandy Williams: So are you…I mean, you’re a neat guy.

    Jeffrey Beaumont: You’re a neat girl.
    Sandy Williams: So are you…I mean, you’re a neat guy.

  • Yes, Philadelphia is horrible, but in a very interesting way.  There were  places there that had been allowed to decay, where there was so much  fear and crime that just for a moment there was an opening to another  world.  It was fear, but it was so strong, and so magical, like a  magnet, that your imagination was always sparking in Philadelphia…I  just have to think of Philadelphia now, and I get ideas, I hear the  wind, and I’m off into the darkness somewhere.

    Yes, Philadelphia is horrible, but in a very interesting way. There were places there that had been allowed to decay, where there was so much fear and crime that just for a moment there was an opening to another world. It was fear, but it was so strong, and so magical, like a magnet, that your imagination was always sparking in Philadelphia…I just have to think of Philadelphia now, and I get ideas, I hear the wind, and I’m off into the darkness somewhere.