I can remember being at Sundance with the first film and after it turned out to be very successful, you’re at a place where it’s almost like, okay you can do whatever you want to do. And then people are coming at you with, hey you can do this and that, and I didn’t want to do any of it. I’ve never sat down to try and write a blockbuster or even something that’s remotely a money-maker. Speaking to my other influences, they were Woody and Truffaut, my two gods. And any moments I had moments of doubt of, oh should I be chasing that other thing, I would pop in a VHS of one of their films and that’s just what I love. I loved smaller, character studies, and for me, the best films are those that can balance the tone between what I feel most everyday life is like. There’s the real stuff—the heartbreak and disappointment—but also laughter and levity. So when you can balance those two well, then you’ve got the kind of film I love to see. And you know, I guess that’s all I’ve ever aspired to do and I’ve been lucky.