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BlackBook
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Salvador Dali, Scatalogical Object Functioning Symbolically (The Surrealist Shoe), 1931
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Lake Tahoe, 1964 — Garry Winogrand
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"I won’t be untrue to my reputation. I am, above all, happy this evening for all the shouts and whistles you’ve directed at me; and, if you don’t like me, I can tell you that I don’t like you either."
— Maurice Pialat, accepting the Palme d’Or for Sous le soleil de Satan.
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If “fashion is a language,” then its onscreen translation transcends time or place. When it comes to the sartorially-minded film characters that we love and those that linger in our mind, it’s not only the unique or striking sense of dress that tickles our fancy, but the way in which they absorb the wardrobe of the character into their personality and the essence of the role. And in looking back through cinema’s past, there are countless films whose style now serves as a beacon of fashion iconography.
However, when it comes to examining the way we dress ourselves in everyday life and that constant desire to reinvent and invigorate ourselves aesthetically, you can always look to the movies for a wealth of inspiration. So from the candy-flipped punk-y pleasures of Gregg Araki’s characters and Sofia Coppola’s dreamy pastel ennui to the elbow-patched and academic pleats of Woody Allen and the heartbreakingly haute world of Wong Kar-wai, let’s take a look back on a fantastic list of films featuring some of cinema’s most stylish characters.
CINEMA’S MOST ENVIABLE WARDROBES: PART II
If “fashion is a language,” then its onscreen translation transcends time or place. When it comes to the sartorially-minded film characters that we love and those that linger in our mind, it’s not only the unique or striking sense of dress that tickles our fancy, but the way in which they absorb the wardrobe of the character into their personality and the essence of the role. And in looking back through cinema’s past, there are countless films whose style now serves as a beacon of fashion iconography.
However, when it comes to examining the way we dress ourselves in everyday life and that constant desire to reinvent and invigorate ourselves aesthetically, you can always look to the movies for a wealth of inspiration. So from the candy-flipped punk-y pleasures of Gregg Araki’s characters and Sofia Coppola’s dreamy pastel ennui to the elbow-patched and academic pleats of Woody Allen and the heartbreakingly haute world of Wong Kar-wai, let’s take a look back on a fantastic list of films featuring some of cinema’s most stylish characters.
CINEMA’S MOST ENVIABLE WARDROBES: PART II
If “fashion is a language,” then its onscreen translation transcends time or place. When it comes to the sartorially-minded film characters that we love and those that linger in our mind, it’s not only the unique or striking sense of dress that tickles our fancy, but the way in which they absorb the wardrobe of the character into their personality and the essence of the role. And in looking back through cinema’s past, there are countless films whose style now serves as a beacon of fashion iconography.
However, when it comes to examining the way we dress ourselves in everyday life and that constant desire to reinvent and invigorate ourselves aesthetically, you can always look to the movies for a wealth of inspiration. So from the candy-flipped punk-y pleasures of Gregg Araki’s characters and Sofia Coppola’s dreamy pastel ennui to the elbow-patched and academic pleats of Woody Allen and the heartbreakingly haute world of Wong Kar-wai, let’s take a look back on a fantastic list of films featuring some of cinema’s most stylish characters.
CINEMA’S MOST ENVIABLE WARDROBES: PART II
If “fashion is a language,” then its onscreen translation transcends time or place. When it comes to the sartorially-minded film characters that we love and those that linger in our mind, it’s not only the unique or striking sense of dress that tickles our fancy, but the way in which they absorb the wardrobe of the character into their personality and the essence of the role. And in looking back through cinema’s past, there are countless films whose style now serves as a beacon of fashion iconography.
However, when it comes to examining the way we dress ourselves in everyday life and that constant desire to reinvent and invigorate ourselves aesthetically, you can always look to the movies for a wealth of inspiration. So from the candy-flipped punk-y pleasures of Gregg Araki’s characters and Sofia Coppola’s dreamy pastel ennui to the elbow-patched and academic pleats of Woody Allen and the heartbreakingly haute world of Wong Kar-wai, let’s take a look back on a fantastic list of films featuring some of cinema’s most stylish characters.
CINEMA’S MOST ENVIABLE WARDROBES: PART II
If “fashion is a language,” then its onscreen translation transcends time or place. When it comes to the sartorially-minded film characters that we love and those that linger in our mind, it’s not only the unique or striking sense of dress that tickles our fancy, but the way in which they absorb the wardrobe of the character into their personality and the essence of the role. And in looking back through cinema’s past, there are countless films whose style now serves as a beacon of fashion iconography.
However, when it comes to examining the way we dress ourselves in everyday life and that constant desire to reinvent and invigorate ourselves aesthetically, you can always look to the movies for a wealth of inspiration. So from the candy-flipped punk-y pleasures of Gregg Araki’s characters and Sofia Coppola’s dreamy pastel ennui to the elbow-patched and academic pleats of Woody Allen and the heartbreakingly haute world of Wong Kar-wai, let’s take a look back on a fantastic list of films featuring some of cinema’s most stylish characters.
CINEMA’S MOST ENVIABLE WARDROBES: PART II
If “fashion is a language,” then its onscreen translation transcends time or place. When it comes to the sartorially-minded film characters that we love and those that linger in our mind, it’s not only the unique or striking sense of dress that tickles our fancy, but the way in which they absorb the wardrobe of the character into their personality and the essence of the role. And in looking back through cinema’s past, there are countless films whose style now serves as a beacon of fashion iconography.
However, when it comes to examining the way we dress ourselves in everyday life and that constant desire to reinvent and invigorate ourselves aesthetically, you can always look to the movies for a wealth of inspiration. So from the candy-flipped punk-y pleasures of Gregg Araki’s characters and Sofia Coppola’s dreamy pastel ennui to the elbow-patched and academic pleats of Woody Allen and the heartbreakingly haute world of Wong Kar-wai, let’s take a look back on a fantastic list of films featuring some of cinema’s most stylish characters.
CINEMA’S MOST ENVIABLE WARDROBES: PART II
If “fashion is a language,” then its onscreen translation transcends time or place. When it comes to the sartorially-minded film characters that we love and those that linger in our mind, it’s not only the unique or striking sense of dress that tickles our fancy, but the way in which they absorb the wardrobe of the character into their personality and the essence of the role. And in looking back through cinema’s past, there are countless films whose style now serves as a beacon of fashion iconography.
However, when it comes to examining the way we dress ourselves in everyday life and that constant desire to reinvent and invigorate ourselves aesthetically, you can always look to the movies for a wealth of inspiration. So from the candy-flipped punk-y pleasures of Gregg Araki’s characters and Sofia Coppola’s dreamy pastel ennui to the elbow-patched and academic pleats of Woody Allen and the heartbreakingly haute world of Wong Kar-wai, let’s take a look back on a fantastic list of films featuring some of cinema’s most stylish characters.
CINEMA’S MOST ENVIABLE WARDROBES: PART II
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"When I began Faces I was bugged about marriage. I’ve always been against the institution of marriage. Not my marriage. Gena and I have always disagreed out in the open, we never hold back. But I was bugged about the millions of middle-class marriages in the United States that just sort of glide along. Couples married ten, fifteen years, husbands and wives who seem to have everything - big house, two cars, maid, teenage kids - but all these creature comforts have made them passive. Underneath, there’s this feeling of desperateness because they can’t connect. I would see married couples who had nothing to do with one another in their lives. If their tastes coincided they felt that they were quite remarkable in their marriage. And people would say, ‘Oh they’re so wonderful together’. But they come home, they just look at each other and say, ‘How are you?’ How was the day? What happened?’ and they have no love. The picture was a plea for returning to some kind of real communication. Most couples aren’t even aware that they can’t communicate. The whole point of Faces is to show how few people really talk to each other. These days, everybody is supposed to be so intelligent: ‘Isn’t it terrible about Nixon getting elected?’ Did you hear about the earthquake in Peru?’ And you’re supposed to have all the answers. But when it gets down to the nitty-gritty, like, ‘What is bugging you, mister? Why can’t you make it with your wife? Why do you lie awake all night staring at the ceiling? Why, why, why do you refuse to to recognize your problems and deal with them?’ The answer is the people have forgotten how to relate or respond. In this day of mass communications and instant communications, there is no communication between people. Instead it’s long-winded stories or hostile bits, or laughter. But nobody’s really laughing. It’s more a hysterical, joyless kind of sound. Translation: ‘I am here and I don’t know why.’"
John Cassavetes
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The Best Movies to Watch Without Leaving Bed: Love Stories
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Now I don’t know what to say. It was easier when I just imagined you. 

Now I don’t know what to say. It was easier when I just imagined you. 

Now I don’t know what to say. It was easier when I just imagined you. 

Now I don’t know what to say. It was easier when I just imagined you. 
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languagethatiuse:

The Supremes with fellow Motown artists The Temptations in London, 1964.